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Born in Łódź in 1979. He graduated with security from studies at the Faculty of Graphics and Painting at the Academy of Fine Arts. Władysław Strzemiński in Łódź, 2013 – Painting Studio I (Open Book) prof. Andrzej M. Bartczak. Scholarship of the Minister of Culture and National Heritage, 2011/2012. Creativity in the field of graphic arts, drawing, painting, performance, video art and short film forms. In my work there is a search for a dialogue between graphic techniques and drawings in correlation with a color patch and texture. The artistic language that I use derives from an almost complete drawing. For me, the line is equipped with plastic, an equal combination of the signal of expression. With access to lines connected to a device that is connected to your network. I pose a question, what is a connection in painting, a line or a color? Not related to further drilling. Multiforms in occurrence in the next stages of my availability. This time they interpenetrate, constituting barriers and additional lines in the structure. I give the surface of the canvas a spatial character. Secondly, I use graphic matrices. They can reappear, not only as a graphic tool, but as an independent artistic matter. I am interested in the interpenetration of electricity and technology. Symbiosis form, or perhaps polyphony, a technique of handling unity in multiplicity. What characterizes my art is a record of the inclination of an organic form, transmitting in what is alive, pulsating, pulsating, humming, overflowing - being in constant motion, subject to proportional change and transformation. I bring to life autonomous visual entities with anthropomorphic shapes, emanating the illusion of movement, because movement is eternity. I want to transfer the idea of movement or its direct neurosis to canvas. Multi-layer structure, combinatorics of lines, the possibility of using the effect affecting movement, movement and vibrating space. However, a painting for me is more than just a relationship between form and death or a thoughtful composition of lines. I am also not looking for a compromise between what is visual and aesthetic. I want to create energetic planes that are self-induced, stimulating the imagination, non-confrontational. In the era of postmodern practitioners in technical applications, the painting medium must defend itself by its strength.
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